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photography |
CURRENTLY IN STOCK (please feel free to ask for further details):
Striking image of Edie Sedgwick and Gerard Malanga, two main figures from Andy Warhol’s inner circle, posing at the Factory in front of one of Warhol’s screenprints.
Sheet size 70 x 50 cm, image size 60 x 40 cm, numbered (2/10), dated (1965/1995), titled and SIGNED BY NAT FINKELSTEIN on the back.
The sheet also shows the handwritten remark FIRST PRINTING 1995, refering to the fact that the negatives of the shots from this session were initially misfiled and considered lost for a period of 30 years.
See at large: Nat Finkelstein: Andy Warhol, The Factory Years, a 1999 Canongate book in which a number of these colour images were published for the first time another 4 years later.
Artist's info:
Born in Brooklyn, Nat Finkelstein (1933-2009) studied photography under Alexey Brodovitch, the legendary art director of Harper's Bazaar, and worked as a photojournalist for the Black Star and PIX photo agencies, reporting primarily on the political developments of various subcultures in New York City in the 1960s.
In 1964 Finkelstein entered Andy Warhol's Factory as a photojournalist and remained for three years; Finkelstein's photographs from this period are now regarded as some of the most iconic of the time.
Luxuriously designed box set, issued in a limited edition of only 10 copies (plus 2 A.C.), being AENIGMA's exclusive pick from the large files of photographs shot by Nat Finkelstein in and around Andy Warhol's Factory between 1964 and 1967.
Included are images of ANDY WARHOL, NICO, THE VELVET UNDERGROUND and EDIE SEDGWICK.
All photographs, digitally printed by the artist in his New York workshop, September 2001, have been individually titled, numbered and SIGNED BY NAT FINKELSTEIN, who provided the edition with a short preface:
I am a situational photographer. I sell souls, not schmatas; feelings, not ideas.
These unposed images were made when Andy Warhol et al were people, not products; young artists, not celebratees. Enjoy, but don’t venerate.
Nat Finkelstein – N.Y.C. 2001
The prints, measuring ca. 27 x 18 cm, have been printed on A4 size sheets, are packed in protective acetate envelopes, and come in finely hand-crafted 38 x 32 cm silver-lettered black cloth-covered box, stylishly lined with black velvet.
Concept and design: Eric Schneyderberg, published by AENIGMA books & prints (read about AENIGMA).
Digital print on matt paper produced in a strictly limited edition of 10 (plus 2 A.C.) copies, as originally published in FIVE FACTORY PHOTOGRAPHS (see above).
This fine print has been SIGNED BY NAT FINKELSTEIN in blue ink underneath the image, the artist added the title “NICO (SCREEN TEST)” as well as the remark “AENIGMA (A.C.)”.
The image shows model and Velvet Underground singer Nico (Christa Päffgen, 1938-1988) during one of Andy Warhol's famous screen tests, 1966.
Digital print, as originally published in FIVE FACTORY PHOTOGRAPHS (see above).
Offered here is the only existing PROOF on GLOSSY paper, SIGNED BY NAT FINKELSTEIN on the back, also showing the title ANDY + THE VELVETS (1966) in the photographer's distinctive handwriting.
The print shows Andy Warhol and the Velvet Underground, setting up for a show at fashion designer Betsey Johnson's Paraphernalia, New York, March 1966.
NAT FINKELSTEIN - digital photograph of ANDY WARHOL and the VELVET UNDERGROUND - New York/Amsterdam 2001 - 22 x 28 cm - 160 euro
As above.
This is an unnumbered and untitled proof print on matt paper, SIGNED BY NAT FINKELSTEIN on a sticker on the back.
Glamorous box set, issued in a limited edition of only 10 copies (plus 2 AP), comprising 5 photographs by Nat Finkelstein, digitally printed by the artist on Crane Museo 100% Cotton paper, each titled and numbered in pencil in a third hand and SIGNED BY NAT FINKELSTEIN in ink on the back.
The prints - shot in around Andy Warhol's Factory in the mid-sixties - are packed in a hand-crafted silver-padded red cloth box, 32 x 24 cm, which also includes a booklet with a reprint of Finkelstein's introduction to an interview with Andy Warhol, first published in Cavalier Magazine, september 1966.
A short quote:
Are you ready world? Here he comes! It's ANDY! It's Ann-Dy! IT'S! ANN! DEE! Warhol!!! Fan Tas Tic. Here he comes! Are? You? Ready?? Silver hair, sunglasses, blue contact lenses, entouraged, Gerard Malanga'd, Danny Williamsed, a five - FIVE!! - piece rock and roll band, electric amps and all and ARE YOU READY? EDIE SEDGWICK, Bobby Dylan, Brian and Mick and Henry plump Geldzahler, down from the Metropolitan and Salvador Dali and. There he is, it's ANN DEE, it's Birdee riding the Wave and THE Jet Set Disco Theque beautiful people fun pop Batman Robin Camp Shazam Wow Zap pop crowd and Are You Ready? [etc. etc.].
Let it be noted that 2 of the colour images of Andy Warhol were not published before inclusion in this exclusive box.
Concept and design: Eric Schneyderberg, published by AENIGMA books & prints (read about AENIGMA).
Photograph (1965) digitally printed by the artist on Crane Museo 100% Cotton paper in a strictly limited edition of 17 copies, SIGNED BY NAT FINKELSTEIN in ink on the back, also showing the title AENIGMA II: ANDY, ELVIS, BOBBY and the limitation number, in pencil in a third hand.
Of the total edition of 17 copies, 12 were included in AENIGMA's deluxe box set ANDY AND FRIENDS (see image and description above).
This is one of the 5 remaining prints which were made for other purposes.
A concatenation of American iconography unmatched in this century - Greil Marcus.
Photograph digitally printed by the artist on Crane Museo 100% Cotton paper in a strictly limited edition of 17 copies, SIGNED BY NAT FINKELSTEIN in ink on the back, also showing the title AENIGMA II: ANDY EXPLAINS and the limitation number, in pencil in a third hand.
Of the total edition of 17 copies, 12 were included in AENIGMA's deluxe box set ANDY AND FRIENDS (see image and description above).
This is one of the 5 remaining prints which were made for other purposes.
N.B.: One of the illusive “lost colour prints” from 1966 which were retrieved in 1995, a number of which were first published in Finkelstein’s book Andy Warhol: The Factory Years (Canongate 1999). Black and white images from the same session have been published before, this particular colour image, however, was first published by AENIGMA.
NAT FINKELSTEIN - digital photograph of ANDY WARHOL - New York/Amsterdam 2003 - 22 x 28 cm - 175 euro
As above.
Proof copy, unnumbered, SIGNED BY NAT FINKELSTEIN in black feltpen on a sticker on the back.
Photograph digitally printed by the artist on Crane Museo 100% Cotton paper in a strictly limited edition of 17 copies, SIGNED BY NAT FINKELSTEIN in ink on the back, also showing the title AENIGMA II: ANDY SILKSCREENS and the limitation number, in pencil in a third hand.
Of the total edition of 17 copies, 12 were included in AENIGMA's deluxe box set ANDY AND FRIENDS (see image and description above).
This is one of the 5 remaining prints which were made for other purposes.
N.B.: One of the illusive “lost colour prints” from 1966 which were retrieved in 1995, a number of which were first published in Finkelstein’s book Andy Warhol: The Factory Years (Canongate 1999). Black and white images from the same session have been published before, this particular colour image, however, was first published by AENIGMA.
It's just NOW, some 16 years later, that we realise there's something wrong with this picture: the print, executed by Nat Finkelstein himself, shows the image MIRROR WISE: what we see here is a left-handed Andy Warhol...
Elaborate publication, issued in a limited edition of 20 copies (plus 3 HC plus 2 AP), containing 5 original b/w photographs, 18 x 24 cm, printed in Paris under the artist's supervision, each numbered and SIGNED BY NAT FINKELSTEIN and mounted in black cardboard.
The photographs, (all but one) shot at the Cordier & Ekstrom Gallery, New York, 1966, show Andy Warhol, King of Pop Art, filming Marcel Duchamp, Godfather of Dada and Surrealism.
A striking portrait of Salvador Dali visiting Warhol's Factory is also added.
An illustrated account of this meeting was issued as part of the 5th volume of the journal Etant Donné Marcel Duchamp; a copy of this issue, signed and inscribed by Nat Finkelstein is included.
DUCHAMP BY FINKELSTEIN comes in an exclusively designed hand-crafted box, which also incudes a set of contact sheets showing ALL images of the legendary session, as well as a number of surrealistic extra's...
Concept and design: Eric Schneyderberg, published by AENIGMA (read about AENIGMA).
From the introduction: “When I first received the e-mail from Étant Donné Marcel Duchamp requesting my cooperation with this issue, my reaction was: This is like asking me if I would cooperate with God.”- Nat Finkelstein, artist/photographer.
“When Nat Finkelstein phoned me, proposing to have a deluxe edition made of his photographs of Marcel Duchamp, my reaction was: This is like asking me if I would cooperate with the Devil.”- Eric Schneyderberg, publisher/designer.
Fine black white photograph showing MARCEL DUCHAMP at ease, posing for Andy Warhol, during the event Hommage à Caisse at the Cordier & Ekstrom Gallery, New York, 1966.
Printed in Paris under the artist's supervision in a limited edition of 30 copies, 25 of which were included in the publication DUCHAMP BY FINKELSTEIN (Amsterdam, Aenigma, 2004), see above.
This is one of the remaining 5 prints, SIGNED BY NAT FINKELSTEIN in black feltpen on a sticker on the back.
Fine black white photograph showing the great SALVADOR DALI making his entrance at Andy Warhol’s Factory, New York, 1966.
Printed in Paris under the artist's supervision in a limited edition of 30 copies, 25 of which were included in the publication DUCHAMP BY FINKELSTEIN (Amsterdam, Aenigma, 2004), see above.
This is one of the remaining 5 prints, SIGNED BY NAT FINKELSTEIN in black feltpen on a sticker on the back.
He came in, unnoticed, and like a three-card-monte dealer moved to the periphery, where with pickpocket’s fingers he toyed with small objects so as to draw attention away from the more crowded couch area where the spotlight belonged [...]. He was a pro. - Nat Finkelstein.
Pastiche Dada poem, created by Nat Finkelstein in 2004, inspired by a meeting between Marcel DUCHAMP and Andy WARHOL in 1966.
Printed by the artist on a sheet of imitation vellum in a limited edition of 30 copies, 25 of which were included in the publication DUCHAMP BY FINKELSTEIN (Amsterdam, Aenigma, 2004), see above.
All copies have been SIGNED BY NAT FINKELSTEIN in black feltpen in the right hand lower corner, the artist covered his signature with a sticker stating the text “do not remove”...
The last of a number of cooperations between Nat Finkelstein and AENIGMA books & prints: a special edition of this stunning book on the stunning EDIE SEDGWICK, with photographs by Nat Finkelstein and texts by David Dalton.
15 (fifteen) copies were numbered and SIGNED BY NAT FINKELSTEIN on the first free endpaper, these copies come with a small C-print, 12,5 x 17,5 cm, exclusively printed for this edition, numbered and INITIALLED N.F.
This copy carries the number 1/15 and does not come with an initialled print but with a FULLY SIGNED one.
A privileged glimpse into Warhol’s inner sanctum [...] in which Edie orbits around the likes of Bob Dylan, Salvador Dali [...] and many more, before departing as quickly as she came."
NAT FINKELSTEIN & DAVID DALTON - Edie Factory Girl - New York, VH1/Powerhouse, 2006 - or. boards - large 8vo - 15 euro
As above, mint copy of the regular edition.
Collection of black and white photographs, taken in and around Andy Warhol's Factory, with texts by Nat Finkelstein and others.
This copy SIGNED BY NAT FINKELSTEIN.
NAT FINKELSTEIN - Oh! This is Fabulous, the Silver Age at the Factory, 1964-1967 - Rotterdam, Bébert, 1989 - or. wrappers - 4to - 1st edition - 40 euro
As above, unsigned copy.
Finely designed 40 page publication with Finkelstein's legendary photographs in black and white and texts by David Dalton, with additional texts by Nat Finkelstein.
This copy SIGNED BY NAT FINKELSTEIN.
NAT FINKELSTEIN - Warhol - Amsterdam, Jaski Art, 1992 - or. boards - square 4to - 1st edition - 55 euro
As above.
Copy from the much rarer casebound edition, unsigned.
Extensive collection of photographs, comprising a great section of early COLOUR images which were never published before.
This copy SIGNED BY NAT FINKELSTEIN.
NAT FINKELSTEIN - Andy Warhol: the Factory years 1964-1967 - Edinburgh, Canongate, 1999 - or. boards with dustjacket - 4to - 1st edition - 40 euro
As above, unsigned copy.
Fine poster on thin but sturdy board, showing the image ANDY WARHOL: DOUBLE TAMBOURINE, one of Finkelstein's most iconic images.
This is one of a series of 10 copies which were SIGNED BY NAT FINKELSTEIN in Amsterdam, at the premises of AENIGMA books & prints, 2001.
DOUBLE TAMBOURINE is a photomontage based on Finkelstein's 1966 portrait of Andy Warhol which was first published in 1967 on the inside of the Warhol-designed gatefold sleeve of the legendary first album by the VELVET UNDERGROUND.
Superb black and white photograph, printed in 2001 in a limited edition of 35 copies, titled, numbered and SIGNED BY ROBERT BAYLEY in black ink below the image.
This classic shot - of course - was used for the cover of THE RAMONES first album, released in 1976.
One of the most ICONIC images of punk; a KILLER in ANY size, let alone this HUGE!
Of course this image is included in Roberta Bayley's PUNK (see below), part of her comment in the publication:
The cover image was just one of those perfect moments when everything came together. The frame before it and the frame after it aren't great, but for that one moment, everybody looked right - exactly like The Ramones.
A wonderful book production, issued in a limited edition of only 76 copies, comprising 24 black and white photographs by New York photographer Roberta Bayley, 25 x 20 cm, hinged on large sheets of grey boards, also showing a facsimile of her handwriting, telling a colourful story behind each photograph.
Nearly all pictures were taken in and around the CBGB's, the legendary New York club, during the period 1976 to 1979; they include classic images of Blondie, Elvis Costello, The Damned, Richard Hell, Iggy Pop, The Ramones, Sex Pistols, Joe Strummer, Televison, Talking Heads, Johnny Thunders, etc. etc.
RICHARD HELL (Television, Heartbreakers, Voidoids) and DEBBIE HARRY of BLONDIE wrote exclusive introductions, which they personally SIGNED BY HAND in golden paintpen.
Texts by LEGS McNEIL, resident Punk, and JOHN HOLMSTROM, illustrator and founding editor of Punk Magazine.
John Holmstrom also re-created a drawing of the late Joey Ramone (used for the cover of Punk Magazine, April 1976) as a numbered and signed SILKSCREENED PRINT, in an edition of 100.
Also included is a signed portrait of Roberta Bayley by GODLIS, taken at CBGB's where she was a permanent fixture working as the door person.
PUNK is presented in a handmade wooden and cardboard slipcase, measuring 45 x 30 x 6 cm, the front and back have been covered with original pages from Punk Magazine # 6, 1976, the Legend of Nick Detroit, making each copy unique and different.
All slipcases have been hand titled in gold by Roberta Bayley.
Photo editing: Sally Norvell and Eric Schneyderberg.
Co-published by AENIGMA books & prints, read about AENIGMA.
Set of 5 photographic prints, measuring 12,5 x 17,5 cm, each showing ROBERTA BAYLEY's iconic image of the RAMONES, accompanied by 5 unused copies of the red on silver sticker used for PUNK: THE BOOK (see above!).
Like all the prints in the book, these are RC photographs, professionally printed on Ilford Multigrade IV photographic paper with a Pearl finish.
These items were meant to be part of a presentation portfolio for PUNK: THE BOOK, a project-in-a-project in a very limited edition that never fully materialized.
Great collection of photographs by Lee Black Childers, Roberta Bayley, Godlis, Stephanie Chernikowski, Danny Fields, Billy Name, Marcia Resnick and others, covering the New York art and rock scene through 3 decades, loads of PUNK included.
Published in 2005 on occasion of an exhibition in Paris, four years prior to the more common English language paperback edition.
Original edition of the first of a range of celebrated books by Dutch photographer Ed van der Elsken (1950-1954).
Copy from the former library of Flemish author HUGO CLAUS (1929-2008) with damaged but complete dustjacket, placed in (recently made) black cloth clamshell box with silver lettering on front and spine.
The caption of the first chapter reads “Ik kom in Saint Germain des Prés”, right above this text Claus wrote by hand (undated, but January 1997):
“Nog altijd kom ik er en denk aan de gouden tijd / Hugo Claus”
(vdE: I come into Saint Germain des Prés / HC: I still come there and think about the golden times)
NB: Both Claus and Van der Elsken lived in Paris in the early 1950’s, there is no information about any meetings that may have occured. Some of Claus texts, however, were included in Van der Elsken’s famous book JAZZ (1959), later on the two artists would collaborate on several occasions.
Very early work on Emiel Van Moerkerken (1916-1995), with many plates (portraits, street scenes, surrealism, etc.), proofing the diversity of this still highly under-estimated Dutch photographer.
Moreover, this 1947 publiation was the first survey of a single Dutch photographer's work ever published.
Fine copy with some damage to the vulnerable dustjacket.
Original photograph, professionally pasted on a piece of cardboard: the original FULL SCALE MODEL for the printing process of Van Moerkerken's famous book Reportages in Licht en Schaduw (1947, see item above), where it shows the caption Rue Gracieuse Paris, 1937.
This rare, genuine vintage item is still in superb condition.
Original silverprint showing a 1958 image of twin sisters.
The photograph was personally printed in 1986 by Van Moerkerken, his signature and pencil annotations are on the back.
The girls pictured are Yvonne and Georgette Apol.
Earlier images of them were published in 1955: Joan van der Keuken included several photographs of the sisters in his famous work WIJ ZIJN 17 (WE ARE 17, see Parr/Badger Vol 1, page 244), although at the time the girls hadn't reached that age yet.
Yvonne and Georgette (one of them was married with Van der Keuken for a short period) were immortalized by means of the classic ACHTER GLAS, another fine work by Van der Keuken, published in 1956 (see Parr/Badger Vol 1, page 244).
Van Moerkerken captured the sisters at the more mature age of 18 and had them put - nameless - in his book Meisjes van Nederland / The Girls of Holland, published in 1959.
Original silverprint printed by the artist in the 1986, unsigned but with his annotation "Sq. du Vert-Galant, Paris - Helen Gish - 9/50" in pencil on the back of the 55 x 45 cm cardboard mount it was put in by the photographer himself.
This fine photograph was first published in the book E. Van Moerkerken Foto's (Amsterdam, de Bezige Bij, 1989).
Quality reprint (1500 copies) of Jo(h)an van der Keuken’s first book, one of the classic Dutch books on photography, originally published in 1955.
The original preface by S. Carmiggelt has been translated in English and French, a “reconstruction” of the history of the book is added in Dutch.
The photographer’s first book, issued in a limited edition of 1500 copies.
One of 500 with the (sparse) text in the Dutch language, in close to mint condition.
First book of photographs by German photographer Laurenz Berges.
This is one of only 50 DE LUXE copies, each with a SIGNED C-PRINT IN COLOUR, mounted and packed in a separate cloth-covered portfolio.
Publisher's info:
Born in 1966, Laurenz Berges graduated from the Kunstakademie Düsseldorf as master student with Bernd Becher in 1996. This is the first book of this young and promising artist. Working in the tradition of Walker Evans social documentary photography, Laurenz Berges spent five years taking pictures in abandoned Russian barracks in the former GDR.
As above.
The image shows the photograph included in the deluxe edition, packed in a cloth-covered portfolio: a C-print, 18 x 21.5, named Schönwalden 1993, titled SIGNED BY LAURENZ BERGES in ink on the back.
Elaborate publication, printed after a design by William Klein, issued on occasion of an exhibition in the Centre Pompidou, Paris, with a short introduction in the French language.
Publisher's info:
Photographe, cinéaste, graphiste, peintre: les qualificatifs pleuvent lorsqu'il s'agit de désigner William Klein. Si ce dernier est aujourd'hui avant tout reconnu comme photographe, il s'est toujours attaché à brouiller les cartes : tour à tour peintre - formé entre autres dans l'atelier de Fernand Léger -, photographe (à partir de 1952, date de ses premiers travaux abstraits), puis cinéaste (à partir de 1958), Klein n'a cessé de défier les étiquettes et de tenter de mettre au point de « nouveaux objets visuels », à la frontière de la photographie, du cinéma et de la peinture.
An close to mint copy of this very extensive work on impressionist photography, covering work by Paul Bergon, Wilhelm von Gloeden, Leonard Misonne, Constant Puyo, Edward Steichen and many others.
Publisher's info:
This book, the first comprehensive study of Pictorialism in Europe, analyses the remarkable diversity of approaches taken by photographers across the continent whose practice was infused with contemporary debate about photography's relationship to art.
Finely designed book, the photographs printed in "photogravure" on matt paper, all in their appropriate monochrome tones or according to their contemporary hand colouring.
Publisher’s info:
This book offers a journey that is both evocative and historically significant, through the collections of the Bibliotheque Nationale de France, in the company of some 30 photographers, including Félix Bonfils, Ernest Benecke, Félix Teynard and James Robertson.
Collection of formerly mainly unpublished black and white images with texts by Lew Allen, Mike McCartney a.o., capturing Elvis on stage and behind the scenes, Buddy Holly playing and traveling, the Everly Brothers, Frankie Avalon, Bobby Darin and many others.
Issued in a limited edition of 1750 copies, all SIGNED BY LEW ALLEN and MIKE McCARTNEY, this is one of 350 DELUXE copies bound in FULL BLUE SUEDE (!) with tooling in silver, with a set of 3 EXTRA PRINTS (Elvis, Everlys, Bobby Darin), each SIGNED by the photographer.
Mint in original decorated box, in printed cloth drawstring bag.
As above.
The image shows the three SIGNED photographs which came with the deluxe edition only.
A superb collection of early black and white photographs capturing Bob Dylan in the period 1963 - 1966, with introductions by Arlo Guthrie and each of the photographers.
De luxe edition, 250 numbered copies only, each bound in full black morocco with images of Dylan blocked in white on front and back.
Mint copy in original sturdy black cloth-covered slipcase, an image of Dylan silkscreened in white on the front.
Wonderful collection of photographs of Bob Dylan (and The Band!) in the late sixties, issued in a limited edition of 1750 copies, all SIGNED BY ELLIOT LANDY.
One of 1650 regular copies, issued in brown suede-backed boards; the suede is supposed to resemble the material of the jacket worn by Dylan as he posed for the covers of his albums Blonde on Blonde, John Wesley Harding and Nashville Skyline.
Superbly crafted book, issued in a limited edition of 1500 copies, all SIGNED BY JERRY SCHATZBERG.
This is one of only 1250 regular copies, finely bound in brown cloth.
The main part of the book is devoted to Bob Dylan, other images include the Rolling Stones, Edie Sedgwick and many others.
Mint, in cloth-covered embossed slipcase and printed cloth drawstring bag.
Publisher's info:
Jerry and Dylan first met in 1965 while the latter was recording Highway 61 Revisited. They became friends and, over the course of the next year, Jerry took an extraordinary collection of photographs of Dylan recording, playing live, socialising and in Jerry's studio. Having just 'gone electric' and in the process of recording Blonde on Blonde, the photos capture Dylan at the most exciting point of his career.
Fine sepia-toned glossy promo photograph reproducing an image from a 1965 session in JERRY SCHATZBERG's New York studio.
This promo photograph, issued in the early 1990's as part of a set of 4 different images, has been boldly SIGNED BY BOB DYLAN in black feltpen.
A superb collection of images of the legendary Syd Barrett (1946-2006), founding member of Pink Floyd, published in a limited edition of 950 copies, all signed by photographer Mick Rock (1948-2021).
This is one of 630 regular copies, bound in calf-backed cloth and housed in a finely decorated cloth-edged slipcase.
The Mod Father's career with The Jam, with The Style Council, as well as his solo years, covered by means of Weller's own words, reproductions of record covers and photographs by Pennie Smith, Nick Knight, Peter Anderson, Lawrence Watson and others.
Published in a limited edition of 2000 copies, all SIGNED BY PAUL WELLER.
This is one of 1650 regular copies in calf-backed decorated boards, each with a 12 inch vinyl record with exclusive demo-recordings by The Jam.
Mint copy in silkscreened box and printed cloth drawstring bag.
Page from the book Et Dieu Crea... La Star (Paris, 1983) showing a colour image of a young Brigitte Bardot by French photographer Sam Levin.
This page [originally 32 x 23 cm, but cut short to size 29 x 21 cm], has been boldly SIGNED BY BRIGITTE BARDOT in black feltpen.
Photoprint in b/w, announcing a 1996 series for Playboy TV, SIGNED BY PAMELA ANDERSON in golden paintpen.
(PAPARAZZI!) CHARLIE’S ANGELS - signed photograph - undated - 20 x 25 cm - 85 euro
Photoprint in b/w, showing a portrait of the ORIGINAL Charlie’s Angels: JACLYN SMITH, FARRAH FAWCETT (1947-2009) and KATE JACKSON, FULLY SIGNED in black, purple and gold on various occasions between 1989 and 2000, as described on the back.
Fine but with some wrinkles and spots.
(PAPARAZZI!) NEVE CAMPBELL and DENISE RICHARDS - signed photograph - 1998 - 25 x 20 cm - 35 euro
Photoprint in colour showing a fine still from the 1998 motion picture Wild Things, SIGNED BY NEVE CAMPBELL and DENISE RICHARDS in black and blue feltpen.
(PAPARAZZI!) ROMY SCHNEIDER - signed photocard - 1950's - 14x 9 cm - 55 euro
Original 1950's Dutch photocard showing a fine portrait of a young Romy Schneider (1938-1982), delicately SIGNED BY ROMY SCHNEIDER in blue ballpoint pen.
(PAPARAZZI!) JACK NICHOLSON and HELEN HUNT - signed photograph - 1998 - 25 x 20 cm - [SOLD]
Photoprint in colour (Oscars for the 1997 motion picture As Good as it Gets) SIGNED BY JACK NICHOLSON in golden paintpen and HELEN HUNT in blue felt pen.